Tuesday, August 22, 2017
Orange County Screenwriters Association


Be Inspired, Do Good Work!



A not-for-profit organization dedicated to bringing education and resources to the film community both amateur and professional.


logoThe Orange County Screenwriters Association is a not-for-profit organization dedicated to bringing education and resources to all aspects of the film community both amateur and professional!


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Woody Allen - Seriously Funny

This is basically a transcript of a podcast segment (www.plotpoints.com)…

Rod Serling: Tortured Genius

This is basically a transcript of a podcast segment (www.plotpoints.com)…

Ideal Home

This wonderful movie, "Ideal Home," could not have come at…

Cardinal

I admit that I am a sucker for these shows. …

The Good Fight

When I grow up I want to be The Kings.…

Andrew Garfield on Hacksaw Ridge




Video below.

Before the release of "Hacksaw Ridge," I attended a LionsGate screening where lead actor, Andrew Garfield, spoke of what attracted him to the role of Desmond Doss, the first and only Conscientious Objector who ever won the Medal of Honor for actions above and beyond the call of duty in combat during,WWII.

The film was directed by Oscar-winner, Mel Gibson, who said it was a passion project of his for many years. 

Doss, who saved 75 men on Okinawa in the bloodiest battle of WWII, believed in the war, but not in killing. 

 

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In Praise of - ARCHER

Archer Banner

Admittedly, I'm late to this party.  I've only been watching "Archer" for the last few seasons although I have recently gone back and I am re-watching everything from the first season that debuted in 2009.

How was I so blind?  I heard the word-of-mouth from a friend whose opinion I trust and didn't follow up on it.  I saw the awards, I heard the reviews...I just didn't act on any of that. Damn my lazy viewing spine!  I have miles to go before I sleep and watching a show this terrific should be on everyone's first up list.

And thank god for streaming.  Netflix specifically which has most of the seasons available allowing me to continue to right this egregious wrong.  ?

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Write Your Truths

Write Truthfully In Imaginary Circumstances
Explore the Mythology Inside You


inner truthAs a science fiction fan and screenwriter, I often chuckle at the axiom to “write what you know” - as if Isaac Asimov, a rather robust, Jewish man, knew what it was like to be a spinster scientist or a robot. How exactly did J.K Rowling, a then thirty-year-old, unemployed, working-class mother, create a young, male wizard who went to an exclusive magical school in a mythical land?

People write young, old, male, female, alien, king, peasant, and every variation imaginable. What’s their secret? Good research? A keen observational eye? Channeling a secret muse? Yes, and perhaps. But let me share what is really meant by “write what you know”. It means write your truth - write what you already know as a human being.

Are women and men really that different? Don’t we all share the sting of rejection, the joy of love? Emotionally-speaking, isn’t life, in all its myriad variations fundamentally the same for those in the bush and those in the Hamptons? Is the inevitability of a terminal disease different today than it was 100 years ago?

So how to bridge the gap between what we know and what we don’t empirically understand?

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The Mick

The Mick banner

It's rare for me to find myself laughing aloud at a show, especially one that's done by a network.  "The Mick" made me guffaw several times.  Yes, guffaw - don't judge - that's the word I want and it perfectly describes my reaction to this delightful new comedy.

"It's Always Sunny in Philladephia" alum Kaitlyn Olson spreads her wings (and if you saw the pilot you'd know just how clever a usuage of a cliche that is) in this excellent and hilarious show from producers/writers Dave and John Chernin who were also a bigpart of "IASIP."

The premise is ridiculous and simple:  Olson (Mackenzie "Mickey" Murphy, AKA The Mick) is trying to hit her millionaire sister up for some cash at a party when the FBI swoops in and arrests sis (Poodle) and her husband.  Mickey is tapped to watch the kids for one night on the promise that sis will give her the funds she denied her earlier.  Unfortunately, Poodle and hubby have to flee the country and Mickey is stuck for a while longer watching the brood.

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What's Wrong With This Scene?

Found this article several years ago and I couldn't have said it better.  I see these mistakes every day in my students' work not only when they start but even in experienced students' work. Scriptwriting Clasess

The credits for this article are included below.


This Scene Sucks: 15 Screenwriting Mistakes to Avoid
By: Script Magazine | November 20, 2013
by Timothy Cooper

Please enjoy this scene from my nonexistent, Birds vs. Bees.

I wrote this opening scene specifically for this article, but there isn’t a single error in it that I haven’t read in actual screenplays hundreds of times. I’m serious.

Can you spot all 15 (at least) errors?

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TV - A Vast Wonderland

television is deadOnce upon a time, television was called a "vast wasteland."  Granted, this was years before PBS and many groundbreaking dramas and comedies but the perception has remained.  And, to be fair, for every brilliant series (like "Game of Thrones") there's double the amount of crap being foisted on the viewing public whether that viewing is online, streaming or on "traditional" TV or cable.

Here's a few new shows I thought would be worth mentioning.  Some are "bingey" and some are being released more traditionally week-by-week.  They also share the fact that it's a pretty disparate list of production entities that have traditionally not been involved in original programming.  This is, in a word, wonderful.  The more the better as far as I'm concerned although it can be a challenge keeping up with them all.

This list, which is simple and by no means comprehensive, doesn't include so many other worthy series but these are just the ones I've been watching lately.

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"Gold" Writing Team Patrick Massett & John Zinman Teach Us How to Write Practical Scenes



To write "Gold", duo Patrick Massett & John Zinman drew from their background in acting to develop practical scenes. They also looked to "Amadeus" for inspiration on "peeling back layers" and "turning over the final card".

Don’t forget to subscribe to The Insider View Podcast on iTunes!

Original author: Final Draft
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"Hunt for the Wilderpeople" Writer/Director Taika Waititi Talks Keeping Your Audience Engaged



Writer, actor, director Taika Waititi tells us about creating a new comedy scene in New Zealand and how to keep people feeling like they're a part of your story. He also let slip the inspirations for his What We Do in the Shadows character Viago: His mother combined with C-3PO. 

Don’t forget to subscribe to The Insider View Podcast on iTunes!

Original author: Final Draft
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"Arrival" Screenwriter Eric Heisserer on NASA, Palindromes and Breaking the Rules of Writing



Eric Heisserer brings the science world to our doorstep and tells us what it's like to break unspoken rules while writing. 

Don’t forget to subscribe to The Insider View Podcast on iTunes!

Original author: Final Draft
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"Jackie" Screenwriter Noah Oppenheim Discusses the Custodian of a Presidential Legacy



Screenwriter Noah Oppenheim talks with us about writing his first screenplay "Jackie" and the inspiration he drew from Jackie Kennedy as the custodian and myth-maker of her husband's legacy.

Don’t forget to subscribe to The Insider View Podcast on iTunes!

Original author: Final Draft
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"Lion" Screenwriter Luke Davies Talks the "Rapid, Intense Process of Writing"



Screenwriter Luke Davies sits down with us to discuss how he fell in love with the story behind "Lion". 

Don’t forget to subscribe to The Insider View Podcast on iTunes!

 

Original author: Final Draft
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SPOTLESS

spotlessOne the things I absolutely love about today's entertainment landscape is the ability to see shows that we might never have seen given where they were made.

I've always embraced the shows that were coming across from other countries.  BBC America probably started it but Netflix really pushed this effort. This continues with "Spotless" a Franco-Brit combined production that deals with a quite unusual premise but the world set up here slants everything including normally familiar relationships and consequences of those relationships.

The Premise: Jean Bastier (Marc-André Grondin) who owns a business that cleans up crime scenes, gets involved with gangsters after his shady brother Martin (Denis Ménochet) comes back into his life, forcing Jean to use his cleaning skills to eliminate evidence of crimes.

It's hard to describe this show in some senses.  It's well written, acted and shot.  What also works all the time are the relationships which seem both mundane and profound. spotless

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Hacksaw Ridge Screenwriter Robert Schenkkan Talks Heroism and Writing Battlegrounds

Hacksaw Ridge Screenwriter Robert Schenkkan Talks Heroism and Writing Battlegrounds

Robert Schenkkan returns to our podcast to discuss heroism and writing battlegrounds in his latest, Hacksaw Ridge - in theaters now. 

Don’t forget to subscribe to The Insider View Podcast on iTunes!

Original author: Final Draft
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GOLIATH

goliath"Goliath" is the newest show by super-producer/writer David E. Kelly. 

It stars Billy Bob Thornton and features some great supporting actors like Maria Bello (ex-wife/rival attny), Olivia Thirlby (rival attny), Sarah Wynter (client), Tania Raymonde (hooker/paralegal), and Molly Parker (attny in rival firm.)  William Hurt plays a demonic figure (ala "The Natural") who sits in the dark and uses a clicker to show his anger or disdain for people (you'll just have to see it.)

Kelly tells a personal story of how he promised his kids he wouldn't write any more lawyer shows.  But this isn't like anything you've seen from this prolific writer.  Bad words, drinking, drug use, violence...it follows the trend of the  edgier shows that have been coming out.  It's an Amazon Prime original so they can get away with challenging the audience.

And it does.

Taking place in Santa Monica with locations at the famous dive bar Chez Jay, "Goliath" features an attorney on the edge of slipping away from the legal world until he's approached with a redemption-type case.  The storyline of redemption borrows heavily from "The Verdict" the Lumet/Newman/Mamet courtroom masterpiece that for me never gets old.

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"The Girl On The Train" Screenwriter, Erin Cressida Wilson Talks Inherent Storytelling


Screenwriter Erin Cressida Wilson takes us behind the scenes of the thriller The Girl On The Train and dives back into her days teaching screenwriting to divulge her storytelling secrets.

Original author: Final Draft
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Leah Estrin - A True Pro

leah estrin

Event review
byMark Sevi

THE PRO

The first thing you notice about Leah is she is a no-spin zone - the good kind.  Ask a question and she gives you a straight and honest answer.  It's a reflection of her years in the industry reading and evaluating scripts.  But more than that, it's a true reflection of an industry pro; someone who has seen what being disingenuous can lead to - unrealistic expectations and misunderstandings that becomes heartache and heartbreak as you try to navigate an industry (Hollywood) that you don't understand.

She does understand it oh so well.

The amazing thing about Leah is that this honesty can make some people sound cynical and mean-spirited and Leah is nothing of the sort.  She is open, always smiling, always ready to give someone a great tip.  That was abundantly clear at our event before, during and after.   (more after the jump - hit CONTINUED below)

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Westworld

160825 westworld s1 key art 1024x374Didn't think I was going to enjoy "Westworld" on HBO. I liked, not loved, the movie although it was sufficiently violent and creepy to appease my young mind.

But the first episode of the series has me wanting more.

You think you know what this show is about: A wonderland of fantasy where any whim can be accommodated. That's about as close to what is presented as the old TV show "Fantasy Island" is to the porn films that use the same title. The movie itself showed/implied a lot of this from what I can remember; the series kicks that theme up several notches.

The show's 1st episode more than implies what that would really mean to anyone wealthy enough to buy a ticket to this world where anything goes; and given what's on the horizon technologically- and virtually-speaking, the thought of this world or some form of it existing is getting much closer which is even more troubling.

westworld 2016 evan rachel wood1Violence in "Westworld" is epidemic. The Wild West is used as a motif purposefully. Blood (faux) flows as "people" (robots called Hosts) get their throats cut or shot in the neck. In one scene, a leering manbot host about to rape a fembot prostitute host in a saloon is shot from behind and his face opens like a squeezed grape. It's a quick image but memorable nonetheless. One hapless manbot gets scalped and although you don't actually see the gruesome details (yet) you are shown the beginning and end, and that he has been bled nearly dry by his tormentor.

Ultra-violent, seemingly senseless gunfights take place in streets as outlaws roar through towns shooting women and men. No children have appeared so far but can't that be far behind given the level of violence that the first 45 minutes has shown. Or maybe not. Even the hint of that particular sexual/violent perversion would cross a line because it would be all too possible here and I'm sure neither the builders of Westworld (nor the producers of the show) want to introduce even the possibility of that. Thanks to them (all) for that small restraint although you have to wonder if they are being true to the themes - would that ever be off the table if this Westworld was real? Let's continue to hope so - I don't want to squirm any more than I already am while watching this.

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If You Can't See It, Hear It or Speak it - Don't Write It!

See No Evil Know No EvilOne of the hardest tasks I face as a scriptwriting teacher is convincing new (and sometimes vetted) students not to put internal thoughts into scripts.  I call this inner narrative.  This is action or meanings only a reader would be able to glean because there is no way for a director or actor to matriculate that information to the screen.

Passages like: "He remembered his mother who told him always to wear clean underwear" has no function unless it can be tied to the precise moment that is contextualized in your script.

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Is Deception in Romantic Comedies Rape?

Rape?

I frowned at the students' contention.  Then I started to think about it.  Is it?  Maybe they had a point.

overboardI had assigned the movie "Overboard" to my Intro to Scriptwriting class (Class Info) in honor of Garry Marshall's passing. I needed a romcom and that was the one that fit best when I looked at his filmography.  The discussion was to be about how these types of movies work and when done properly, reinforce the best of what is a fun genre.

The key words here are "was to be."

An interesting and troubling side discussion came up about the sex scene in which Goldie Hawn and Kurt Russell have (loving) intercourse.  It comes at an appropriate time in the film and it's shot very beautifully and tenderly.

So why could it be considered rape?

The storyline is simple and funny.  Goldie plays a wealthy, obnoxious woman who is married to a vacuous and specious man.  They do nothing positive as they sail the seas in yachts that look like the Queen Mary.  She is not happy, never satisfied and constantly, consistently ultra-critical of everyone and everything.  He hates her (it's obvious) and yearns to be free from her constant screech.

Russell is Joe Everyman, a widower, laissez-faire father with three unruly boys who the school district is about to come down hard on because the boys are quite boisterous, even to toilet-papering the school's principal when she visits to welcome them to the area. The principal warns Russell that he has to get some supervision for the boys or else the next visit will be from social services.

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The War With Your (Creative) Self

Recently, my Intermediate class students all had a difficult workshop session.  Most of the comments on all of their scripts were not positive.  The comments were constructive to be sure but even constructive criticism is hard to take.  It still means "this isn't working."  I wrote them an open letter that then became this article.  I've expanded it a bit from the original form.

There's a war going on inside you.

Your head and fingers are in constant battle.  What you see with your mind's eye about your script never ends up to be what actually gets to your fingers.  Why is that?  I blame...uh, Canada (that's from the movie "South Park: Bigger, Longer and Uncut" and I'm just kidding so relax.)

war5 Here's the problem; it's too easy to write that first flush of great scenes that you see so clearly when that concept comes to you.  After that it's nearly impossible to clearly see the ramifications of that work.  You think you know the story but unless you've carefully charted out each moment, sh*t happens. 

Even if you've carefully charted out your script you take side trips; a character inserts himself or herself demanding more attention than you had intended.  Maybe a piece of information comes to you or you have to change something that you thought worked.

Also, each day you're a different person and your mood, attitudes, sense of life changes.  If you're doing the work properly, you are writing from your subconscious mind and that changes - a lot - as you process each and every moment of your life.

A script seems simple but is maddeningly complex. 

Most of the time, what you have in your head is not what ends up on the page. 

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