Friday, March 24, 2017
Orange County Screenwriters Association


Be Inspired, Do Good Work!



A not-for-profit organization dedicated to bringing education and resources to the film community both amateur and professional.


logoThe Orange County Screenwriters Association is a not-for-profit organization dedicated to bringing education and resources to all aspects of the film community both amateur and professional!


No upcoming events
All events

Ideal Home

This wonderful movie, "Ideal Home," could not have come at…

Cardinal

I admit that I am a sucker for these shows. …

The Good Fight

When I grow up I want to be The Kings.…

OC Screenwriters - Articles

Articles

Creating Entire Worlds with My Hands

b2ap3 thumbnail Screen Shot 2017 03 21 at 6.46.42 PMSome of my fondest memories of my father were of seeing him working in his art studio in our home.  My father was an architect by trade but his passion laid in comic book art and cartooning.  I remember seeing him come home from work and creating his own comic books based on Asian mythology.  I remember how masterfully he told the story of the dragon that married an angel and had fifty boys and fifty girls that would eventually become mankind.  The seamlessness of the storytelling was only matched by my father’s vibrant ink and water colored art on the 11x17 Bristol board. 

Those sessions watching my father create entire worlds gave me many gifts.  They gave me lifelong memories of my father that I hold onto dearly to this day even though I have lived more years with him gone than with him alive since he passed away when I was only six-years-old.  It was through my father’s love of sequential art and graphic storytelling that I would fall in love with Marvel Comics in the 1980s.  Most importantly, these sessions watching my father work also showed me that I too had the ability to create entire worlds with my own hands. 

Continue reading
31 Hits

Devil's Knot - No One Is Untouched by Violence

This is a series of occasional articles on my experiences writing "Devil's Knot."

banner3 index2As writers we need to always remember that any movie based on a true story has real people's lives behind it.  Everyone surely knows and understands that.  It's hard, though, to embrace that thought wholly when you're trying to fulfill  story obligations and decisions, and when the story you are trying to tell is as complex as "Devil's Knot."  This is a lesson I took from my work on my script for "Devil's Knot."  It took me a while to fully "get it" but I did.  I carry that lesson with me now and for always.

dkIf you don't know, "Devil's Knot" is a non-fiction book by journalist Mara Leveritt that explores the truths and falsehoods behind the accusations of murder in Arkansas in 1993.  It was made into a movie starring Reese Witherspoon and Colin Firth in 2005.  Witherspoon played one of the mothers of one of the victims and Firth played a private investigator.

The background: In 1993, after a horrifying discovery that three eight-year-old boys were brutally killed, three teenage boys, Jessie Misskelley (16), Jason Baldwin (17) and Damien Echols (18) were then railroaded by a court and community panicked and hungry for closure. 

What happened was terrible and frightening by anyone's standards.  The mind boggles at how anyone can torture, mutilate and kill three eight-year-old innocents.  Anyone responsible for that just doesn't seem human.  The term demonic did and does easily come to mind and was used frequently by the residents of that area at the time.

Continue reading
114 Hits
0 Comments

Put A Face on the Devil

hannibal Recently, a student started a very complex script.  It had flashbacks, flash forwards, non-linear narrative framing, illusion, delusion and just about every other non-standard story device you can imagine.

When I read his synopsis I cautioned him the story probably wouldn't work as envisioned.  For one thing, it was horribly complicated - I've been doing this for 20+ years and I wouldn't attempt it.  And, although the student was a good writer in other ways, this was his first script. 

He started it several times, getting feedback about the things that worked (not much) and what didn't (a lot) and he worked to improve it.  And although it has gotten a bit better and more digestible it still doesn't work.

But not for the reasons I thought although those are still there.

Without getting into too much detail his story involved a man who was destined to be destroyed and in the process the world.  That seems like terribly important stakes, right?  The entire fate of the world.  And it is.  The problem is that the man was fighting against something he couldn't see.  And by extension, something we couldn't see,

This is not a drama like "A Serious Man" where his actions caused a problem.  This was big picture, big world stuff - a very large, supernatural agency that was out to get this guy.  It had big scope and big villains...

But we never saw them.

Continue reading
100 Hits

Jeff Lyons at OC Screenwriters

AOPL 3D WebsiteJeff Lyons doesn't like the appellation of "GURU" - he considers his insights as basic understanding of story and how drama unfolds. 

And he should know.  He's studied his craft for years, applied it to many seminars, including a yearly event at the Producers Guild (PGA) and many, many events like the one we had on Saturday in Fountain Valley.

40+ rapt attendees absorbed Jeff's wisdom and knowledge on how to break a premise line (more than a log line, less than a synopsis) into components and tease out the story under the story.

In a word, he was fantastic.

Rather than cover the event in detail I will point you at the videos embeded in this article and Jeff's book "Anatomy of a Premise Line" available on Amazon (LINK TO BOOK ON AMAZON).

Our sincere thanks to a terrific student and teacher of story.

Video (also available after the jump) courtesy of one of our wonderful board members, the incomparable Rudy Garcia.

There's also gallery of photos up by another great board member, Robert Rollins:  (LINK TO PHOTOS)

Continue reading
214 Hits

Ideal Home

ideal home h 2016This wonderful movie, "Ideal Home," could not have come at a more symbolic time from a standpoint of the dialogue that is occurring in this country.  I'm not going to stand up and say it's an important movie but it sorta is.  Because it's about people, not stereotypes or labels, and we need so much more of this and less of that.   We need to be reminded that no one category of men or women has an exclusive on love, relationships, anger, or pain.

Paul Rudd and Brit Steve Coogan play an odd-couple, gay couple.  Actually, let's take the "gay" out of the equation and just say couple.  Odd is optional but wholly accurate.  Rudd is a producer/director who sometime longs for a bigger stage (the Rachael Ray show) and Coogan is a world-renowned chef who can be "fabulous" anywhere.  They live in the Southwest in a stunning home and have a nearly-perfect life.  They entertain the mayor, shoot Coogan's cooking show and bicker constantly. 

Unfortunately, their little slice of paradisaical routine has become familiar, stale and toxic.

Continue reading
139 Hits
0 Comments